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reviews

Sylvia Schuster
by Joyce Korotkin
The New York Art World, January 2001

Sylvia Schuster's over scaled drawings of heads combine ink and chalk on paper, so densely worked that the paper's roughened, textured surface becomes integral to the image. Each mono-chromatic head bears generic, classical features with cool, expres-sionless, unseeing eyes; like those of impassive sculptures. As arranged here, one after the other on a single wall, they evoke as sense of eternal mourning.


Classic Head

Classic Head
Sylvia Schuster


reviews
Jason Florio | Gambia, 2020

Robert Stivers | Mystery of Darkness

Jill Nathanson: At the Galleries, 2013

Jill Nathanson at Messineo Art Projects/Wyman Contemporary, 2012

Art Around the Edges, 2012

Jason Florio, The Long Fight for Kawtoolie, 2012

Jason Florio, Fighting Spirit, 2012

Antonio Carreno, Messineo Art Projects / Wyman Contemporary, 2011

Jill Nathanson at Messineo Art Projects and Wyman Contemporary

Jill Nathanson’s Quiet Vision, 2010

Paul Vickery - Past Imperfect Future Tense, 2010

Jason Florio, Black and White Magazine, 2009

Gema Alava: Tell Me the Truth, 2008

An Alchemist's Reverie, Picture Magazine, Fall 2002

Robert Stivers, Black & White Magazine, June 2001

more...






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